We book hundreds of shoots every month for clients all over the world. We gather all the data about the specs of the shoot and plug it into our database. At the end of a 30 day period we run the report and publish it in our newsletter for your benefit. Are you taking advantage of this? Well, here is how you can benefit from our data... 
As of March 1, 2013, Apple will no longer sell Mac Pro in EU, EU candidate and EFTA countries because these systems are not compliant with Amendment 1 of regulation IEC 60950-1, Second Edition which becomes effective on this date. Apple resellers can continue to sell any remaining inventory of Mac Pro after March 1. Apple will take final orders for Mac Pro from resellers up until February 18th for shipment before March 1 2013. Countries outside of the EU are not impacted and Mac Pro will continue to be available in those areas.More...
OK. I’m impressed!
There are a few ways of importing RED media into the Avid depending on your workflow and if the DIT is providing transcoded media.
My goal was to match the conversion done in After Effects when using the "DCDM X'Y'Z'(Gamma 2.6) 5900K (by Adobe)" profile, but other programs seem to perform this conversion differently. Rather than debate whether I was doing it right or wrong, I decided the best thing to do was make my code visible and open for commentary and include a document describing the steps I was taking. You can see it here on GitHub.
We've just released the second beta of Preference Manager for Windows. This is a Windows port of our popular tool for managing preferences and settings for your editing system.
The 4K buzz seems to be steam-rolling the industry just like stereo3D before it. It’s too early to tell whether it will be an immediate issue for editors or not, since 4K delivery requirements are few and far between. Nevertheless, camera and TV-set manufacturers are building important parts of the pipeline. RED Digital Cinema is leading the way with a post workflow that’s both proven and relatively accessible on any budget. A number of NLEs support editing and effects in 4K, including Avid DS, Autodesk Smoke, Adobe Premiere Pro, Apple Final Cut Pro X, Grass Valley EDIUS and Sony Vegas Pro.