Showing posts with label Phantom. Show all posts
Showing posts with label Phantom. Show all posts

Friday, September 13, 2013

Introducing the New Phantom Flex4K Digital Cinema Camera from Vision Research

Introducing the New Phantom Flex4K Digital Cinema Camera from Vision Research:
Amsterdam, September 12, 2013 –Vision Research, a leading manufacturer of digital high‑speed imaging systems, officially launches the Phantom® Flex4K, the next evolution in its award-winning digital cinema product line at the 2013 International Broadcasting Convention, September 13-17, 2013 in Amsterdam. The Phantom Flex4K offers exceptional image quality, new workflow options, a user-friendly camera control interface, and outstanding performance at both ultra high-speed and standard frame rates.

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Saturday, August 17, 2013

Phantom Camera Control Software v2.2 Released

Phantom Camera Control Software v2.2 Released | wolfcrow:
Support for the Phantom Miro M340 and Miro M140 camera models has been added
NI (National Instruments) Data Acquisition Unit Support
Persistent Border Data at Cine Save Feature
Image Tools – Tone Curve Function
Live, Play and Save/Convert GPU Support

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Wednesday, April 10, 2013

4K at 1000 fps thanks to the amazing new Phantom Flex 4K by Vision Research! - motionVFX Blog

4K at 1000 fps thanks to the amazing new Phantom Flex 4K by Vision Research! - motionVFX Blog:
4K at 1000fps? Not a problem! Only a few days ago we wrote about the FT-ONE (here) and now Vision Research reveals the exciting new Phantom Flex 4K camera! There's one big difference though - the Phantom Flex 4K will cost $140,000 with a 2TB CineMag, so probably a little bit more than the Japanese product. But on the other hand with any Phantom Flex camera you know what you pay for and you can always rent one if you want to shoot some slowmo scenes. The new camera is not final, so some specs might change and new features can still be implemented, but Vision Research presented a working unit at NAB. The camera should be out in October, so there's still enough time to make it even better - can't wait to see how it will shape up! And here are two videos that will give you a good overview of the camera - there's some very nice first footage here that was recorded by director Brendan Bellomo and cinematographer Greg Wilson who were asked by Vision Research to shoot it. The camera was a little more than a week old and it was an alpha prototype, but still - this looks awesome!

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Tuesday, August 7, 2012

Color Correcting the Phantom Miro

Color Correcting the Phantom Miro:
The new Phantom Miro M320S high-speed camera from Vision Research records 12-bit raw cine files for advanced color correcting with professional imaging software such as GlueTools or DaVinci Resolve. However, many shooters are instead utilizing the camera’s HD-SDI output to record directly to an external device like the Sound Devices PIX 240. This is a super fast way to get gorgeous high-speed shots recorded in Apple’s ProRes codec for easy ingest into an editing system.

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Tuesday, April 3, 2012

Phantom High-Speed v642 Colour Matches for Broadcast

Phantom High-Speed v642 Colour Matches for Broadcast:
The Phantom v642 high-speed digital broadcast camera can simultaneously record and playback
super slow motion footage, and colour match regular speed broadcast cameras.
                                Phantom-v642

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First Look at the Ultra-Compact Phantom Miro M320S

First Look at the Ultra-Compact Phantom Miro M320S:
The new Phantom Miro M320S high-speed camera has just been announced by Vision Research. This is the new flagship in the Phantom Miro line of ultra-compact high-speed cameras, whose form factors open up a new world of creative possibilities for super slow motion cinematography.

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Tuesday, March 27, 2012

Phantom Cine Toolkit for MacOSX Just Released

Phantom Cine Toolkit for MacOSX Just Released:
Support for Vision Research's new Miro M Series cameras (March 26, 2012) This updated Phantom Cine Toolkit package now includes support for Vision Research´s new line of Miro M series cameras as well as the latest v1210 and v1610 cameras. Cine files created with Vision Research´s new PCC 2.0 as well as Glue Tools´ Séance package is also directly supported. With the significantly improved color processing engine, Cinematographer and Artists can now see exactly what the image looked like on the Camera's HD-SDI out. SMPTE Time Code created by PCC and Séance is also handled properly.

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