With the ability to track multiple sources and
timecodes, combined with AMA and open standards
such as MXF, AAF, and DNxHD, Media Composer
and Symphony give you the most flexibility in the
post-production pipeline. Finishing and mastering
can all be done directly within Avid products, or
easily transported to third-party systems—or a hybrid
between the two. The editorial process may seem
complicated at first when dealing with high-resolution
formats, but careful planning heads off any of the
issues that may arise. Consult with all parties involved
in both the production and post-production process
for picture and sound to ensure that everyone is on the
same page before the cameras roll or, in the file-based
world, before the production capture process begins.
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