A Side-by-Side Comparison of 4K Cameras and Feature Sets:
The Red One may have been the first high-res camera to take the film industry by storm but, when the history of digital cinematography is written, 2012 will be remembered as the year pictures got really big.
By 2011, Red Digital Cinema had been advocating on behalf of 4K acquisition for years, keeping its promise to ship inexpensive high-resolution cameras. Meanwhile, the Vision Research Phantom 65 crossed over from scientific and engineering markets that valued its 4K images to filmmakers who prized the look of its 65mm-sized imager. And then the floodgates opened.
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The Red One may have been the first high-res camera to take the film industry by storm but, when the history of digital cinematography is written, 2012 will be remembered as the year pictures got really big.
By 2011, Red Digital Cinema had been advocating on behalf of 4K acquisition for years, keeping its promise to ship inexpensive high-resolution cameras. Meanwhile, the Vision Research Phantom 65 crossed over from scientific and engineering markets that valued its 4K images to filmmakers who prized the look of its 65mm-sized imager. And then the floodgates opened.
More...
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