Calibrated Software's Codec Solutions: AVC-Intra Encode Expands Editing Options | www.creativeplanetnetwork.com:
The direction of Apple’s product development efforts and the current status of the Final Cut Pro ecosystem has professional editors a bit rattled. One by-product of this uncertainty is concern over whether it is wise to master final files in one of the ProRes codecs. This concern opens the door to other codec options, like Sony XDCAM or Avid DNxHD. One powerful solution is Panasonic’s AVC-Intra codec, a 10-bit, 4:2:2, I-frame compression scheme based on the H.264/AVC family.
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The direction of Apple’s product development efforts and the current status of the Final Cut Pro ecosystem has professional editors a bit rattled. One by-product of this uncertainty is concern over whether it is wise to master final files in one of the ProRes codecs. This concern opens the door to other codec options, like Sony XDCAM or Avid DNxHD. One powerful solution is Panasonic’s AVC-Intra codec, a 10-bit, 4:2:2, I-frame compression scheme based on the H.264/AVC family.
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