ACES experiment:
I just finished a day of playing with ACES. As part of a white paper (coming soon) Digital Vision invited me to experiment with the full workflow, and Dolby kindly loaned a PRM monitor for the occasion. I was able to try some film material scanned ADX and delivered as ACES .exr and also some Red material with a new SDK that supports ACES. Consequently I could try some material from the last feature I graded, so I had a pretty good idea of what it was like in a regular project.. I used a release candidate RRT and a P3 D60 ODT, and just for good measure I set the Dolby to reference mode P3 full range.
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I just finished a day of playing with ACES. As part of a white paper (coming soon) Digital Vision invited me to experiment with the full workflow, and Dolby kindly loaned a PRM monitor for the occasion. I was able to try some film material scanned ADX and delivered as ACES .exr and also some Red material with a new SDK that supports ACES. Consequently I could try some material from the last feature I graded, so I had a pretty good idea of what it was like in a regular project.. I used a release candidate RRT and a P3 D60 ODT, and just for good measure I set the Dolby to reference mode P3 full range.
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