4:2:2 vs. 4:4:4:
I blogged about my F3 S-Log 4:4:4 10-bit uncompressed recording workflow a while ago. Just a quick breakdown: When shooting with my F3, I want to get the best possible image out of it. I am doing some serious colorgrading for some projects, so bitrate and bitdepth is important to me. Back in November 2011 I was searching for the perfect recording solution for my F3. The options were...
I blogged about my F3 S-Log 4:4:4 10-bit uncompressed recording workflow a while ago. Just a quick breakdown: When shooting with my F3, I want to get the best possible image out of it. I am doing some serious colorgrading for some projects, so bitrate and bitdepth is important to me. Back in November 2011 I was searching for the perfect recording solution for my F3. The options were...
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