Tonalizer – a scalpel, not a bullet:
Now we’re all shooting flat, how do we get our rushes looking their best? By grading. From the giddy high end of DaVinci down to the humble color board in FCPX, grading is the price we pay for creamy highlights, rich shadows and that ‘expensive’ cinematic look. And I’m in love with a new tool.
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Now we’re all shooting flat, how do we get our rushes looking their best? By grading. From the giddy high end of DaVinci down to the humble color board in FCPX, grading is the price we pay for creamy highlights, rich shadows and that ‘expensive’ cinematic look. And I’m in love with a new tool.
More...
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