Sony PVM OLED. The Good, The Bad, & The Ugly. - Part 2:
Part 2 - The Bad.
As stated earlier, testing using 10-bit uncompressed quicktime material out of a Blackmagic Decklink Extreme*, the PVM suffers with interlacing issues with upper and lower field material. Like most broadcast LCD off the shelf monitors the PVM cannot handle true interlacing and suffers with minor moire and aliasing. Take fields off and the problem is resolved. This is also true for HD interlaced material, as acquisition is usually shot progressive this isn’t an issue. Though when it comes to broadcast majority of houses will ask for 50i which could make QC a little interesting if using the PVM.
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Part 2 - The Bad.
As stated earlier, testing using 10-bit uncompressed quicktime material out of a Blackmagic Decklink Extreme*, the PVM suffers with interlacing issues with upper and lower field material. Like most broadcast LCD off the shelf monitors the PVM cannot handle true interlacing and suffers with minor moire and aliasing. Take fields off and the problem is resolved. This is also true for HD interlaced material, as acquisition is usually shot progressive this isn’t an issue. Though when it comes to broadcast majority of houses will ask for 50i which could make QC a little interesting if using the PVM.
More...
