colour management system to carry out long form episodic TV and commercials grading and classic film restoration. | |
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converged HP infrastructure comprising their asset storage, render farm, workstations and remote networking. 
A lot of buzz lately on Lytro, the company who’s building a new camera based on lightfield (aka plenoptic) technology. In a nutshell, they’re building a camera that will allow you to refocus your photos after you’ve taken them. (Go poke around here if you want to see some examples of what is being discussed.)
A few weeks ago I put together some scene files for the Sony PMW-F3, and many people have been asking for scene files for the new NEX-FS100 as well. I put the two cameras together and made matching scene files that incorporate some of the settings I described in my FS100 dynamic range blog. Unfortunately, there’s no way to load scene files into the FS100 with a memory card, so you’ll have to dial in my settings manually to try them out. Below you’ll find my settings and images from the camera. Try them out and let us know what you think. To learn more about creating your own picture profiles, you can also check out our FS100 class in NYC and Los Angeles.
Well, I find that I haven’t much to blog about lately. I use this to share with people my experiences in editing…challenges I face and tips I might have. And since FCP X came out, I have made the decision to move back to the Avid platform. The only thing is, I am employed by a company that still uses FCP 7. And all my side work continues to be with FCP 7. So I have no breaking news on how I am transitioning back to Avid.
Yet.
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“The state of play”
We are currently in the biggest state of flux camera wise that I have easily seen in the 4+ years I have been freelancing and of course much longer than that.
I would say one of the first cameras to come along and change the industry, for better or worse, was the PD150. It gave broadcasters the ability to give cameras with pretty good quality to producers and go out and shoot stuff. It was the beginning of the age of the the shooting/ producer/ director. The DVX100 to a lesser degree affected the market, mainly because it was the first affordable camera to give us 24p, the indie film-making crowd were ecstatic. That was back in 2002. 9 years ago…and you know what? That camera is still bloody good today!
More...By: aaron
As always, we encourage patience and research before upgrading your Xsan!
QuickTime file output. They use the AJA Ki Pro Mini flash disk recorder to record onto CF cards
and as a remote device connected to Internet.
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Baselight version 4.2.4750 includes new features as well as bug fixes. There is also performance increase on multi-node systems and improved handling and capabilities when working with compressed and movie format files.
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Do you think you know something about stereoscopic 3D? Test yourself with the six basic journalistic questions: who, what, when, where, how, and why.
For the past few days I’ve been hunting down problems when attempting to do a roundtrip between Premiere Pro 5 & 5.5 and Resolve 8.
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| Gamma while Playing in Viewer |
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| Gamma while Paused in Viewer |
