The digital intermediate (DI) has become an accepted part of the workflow for feature films ─ from the biggest blockbusters to smaller-budget independents. There are currently an enormous number of tools to get the job done, including software-based systems and the DI systems with the most bells and whistles. P3 Update has taken a look at some recent DI work to see the challenges that DI artists are facing and the tools they use to complete the job.
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